Max Richter in India: On the melancholia of ‘On the Nature of Daylight’ and the art of making audiences weep

What do Martin Scorsese’s Shutter Island, Denis Villeneuve’s Arrival, Jennifer Peedom’s Sherpa, Hulu’s The Handmaid’s Tale, HBO’s The Last of Us, and most recently, Chloé Zhao’s Hamnet have in common?…